18 de junho de 2025

Jerry Lewis’ Best Movies: The Funniest Films of a Comedy Legend

Discover the best movies of Jerry Lewis and relive the unforgettable humor, creativity, and brilliance of one of comedy’s greatest stars.

jerry lewis

There’s no way around it, when we post videos, photos or interesting facts about Jerry Lewis, we realize how much he is still loved by the Classic Cinema audience. The American star who so often invaded our afternoon sessions managed to maintain a captive audience, even though others have a certain level of disdain for him, considering his style of comedy outdated. The actor made his mark on the era, bringing millions to the cinemas, and when America got tired of him, the Europeans, especially the French, maintained an immense affection for him and embraced his works. In addition to being an actor, he also sang, directed and produced much of his work. Appearing in 72 productions, he directed 13 of them. Lewis and Dean Martin began their successful career together when they filled concert halls with their shows, which earned them invitations to star in The Friendly Firebird (1949). Sixteen films later, they separated. Jerry began a new path, dedicating himself to directing. There were doubts as to whether the two would be successful separately after so much time together, but both managed to successfully follow their own paths.

Jerry next to Frank Tashlin

Dean devoted himself more to his singing career, although he appeared frequently in other films, almost always as the seductive and singing gallant. He also became famous as part of the Rat Pack, a group he formed alongside Frank Sinatra, Sammy Davis Jr. and Peter Lawford, and performed at concert venues. Jerry, in turn, began to direct his own films and took control of his productions, reigning over Paramount, which he considered his second home. His childish character became a trademark.

Another constant partnership was with director Frank Tashlin, which began right at the end of the Lewis and Martin duo’s career. It was he who had the difficult task of directing them in the last film they made together, Make or Break (1956). After the duo split up, Tashlin took over directing Jerry’s first solo films.

Recommending good films to new fans is a difficult task, as it also involves the emotional part, but here are some that can serve as a basis for you to get to know a little more about his work:

jerry lewis
Rock-a-Bye Baby (1958): Clayton has spent his life waiting for Carla, a former childhood sweetheart who has become a famous actress. He lives in a small town in the countryside, and people seem to know his every move. Carla is in trouble after getting pregnant and having twins with her missing husband. Clayton steps in to save the life of the woman of his dreams.

The Errand Boy (1961): Morty is hired by Paramount to spy on the studio’s operations and find out why it is losing so much money. The problem is that Marty, despite his good intentions and kindness, has a knack for getting into trouble and causing trouble. The film has some wonderful gags, such as the elevator scene, his attempt to eat a simple sandwich and the mime where he pretends to conduct an orchestra playing “Blues in Hoss’ Flat” by Count Basie and His Orchestra.

The Ladies Man (1961): After being betrayed by his beloved, Herbert H. Heebert becomes traumatized and runs away from women. Unfortunately for him, he gets a job at a boarding house full of them. All of them beautiful. During the production of this film, Jerry ended up creating the “video assist”, a video camera system attached to his camera that made directing easier. The production is included in the list of “1001 movies you must see before you die”, edited by Steven Schneider. Among the screenwriters is Mel Brooks, who asked for his name to be removed from the end credits, all because he did not agree with the changes that were made.

The Nutty Professor (1963): Lewis’s version of Dr. Jekyll and Mr. Hyde features him as a clumsy professor who creates a potion and, upon taking it, transforms into a mean-spirited heartthrob. Interestingly, Buddy Love is very reminiscent of his old friend Dean Martin. Jerry has denied using his friend as a source of inspiration, but the satirical tone is clear. Jerry wrote seven scripts for this film and also produced the 1996 remake, which starred Eddie Murphy.

Artists and Models (1955): An unemployed cartoonist feels uncomfortable when, every night, his roommate dreams of adventures that have never been published and that are very popular with the public. This film features the song “innamorata” which became an absolute hit both in the voice of Dean Martin and other singers. It also marked the first meeting between Dean and Shirley Maclaine who together did some other works such as Some Came Running (1958) and Ocean’s Eleven (1960). The actress was chosen by Jerry, who after seeing her on stage in “The Pajama Game” convinced the producer to use her in this film.

Hollywood or Bust (1956): Malcolm Smith is a simple man who dreams of going to Hollywood to meet Anita Ekberg, participating in raffles to win a car. In one of these raffles he meets Steve (Dean Martin), who is a con man who also wants to win the car. The two end up sharing the prize and head to Hollywood. Directed by Frank Tashlin, it was the last film by the duo Martin and Lewis. Filming must not have been easy, since the friends no longer spoke during work and the arguments contributed to their separation. The result was so painful for both that they did not see it finished.

The Patsy (1964): After the death of a famous comedian, his team is determined not to lose money, and to do so they try to find a replacement. When they see the clumsy Stanley Belt, a hotel bellboy, they decide he is a sure name for the role, transforming him into a new idol. The film features a fabulous cast, with highlights including Peter Lorre (who died shortly after, on March 23, 1964), John Carradine and Ina Balin.

The King of Comedy (1983): Here’s a chance to see Lewis in a drama. His character is a scathing and satirical vision of himself. Here he is Jerry Langford, a renowned TV host who is kidnapped by the psychopath Rupert Pumplin (Robert De Niro), a man who thinks he’s a great but unrecognized comedian. Interestingly, De Niro would play another similar role in Strange Obsession. Before Jerry, Frank Sinatra and his former partner Dean Martin were considered for the role. A bad feeling occurred during filming when De Niro used anti-Semitic taunts to irritate the comedian. Despite being shocked, Jerry chose to continue working.

The Geisha Boy (1958): Another film directed by Frank Tashlin, this time it tells the story of Wooley, a magician hired to entertain soldiers in Japan. Since his arrival, he causes a series of problems, but ends up becoming attached to little Mitsuo Watanabe (Robert Hirano), a little boy who lost his father and sees Wooley as a replacement. The film marks the debut of actress Suzanne Pleshette in cinema.

Cinderfella (1960): Frank Tashlin and Lewis’ version of the Cinderella story features Jerry as the “Cinderella cat.” During the filming of the scene where he runs up the stairs, the actor had the first of the heart attacks he would suffer. But aside from that sad curiosity, it is one of the best films of his career. The actor is accompanied by the beautiful Italian actress and singer Anna Maria Alberghetti.

Who’s Minding the Store? (1963): Another one from the Lewis and Tashlin duo. Phoebe (Agnes Moorehead) does not approve of her daughter Barbara’s (Jill St. John) relationship with Norman, an honest but poor young man. To keep him away from her daughter, she inflicts the greatest humiliations on him. In one of the scenes, Jerry was supposed to taste a treat full of fried ants. Unbeknownst to the actor, the production team put real ants in the food, a fact that he only realized after the scene was finished.

The Bellboy (1960): Stanley is a messenger who gets himself into absurd situations, getting out of them from one scene to the next. Stanley doesn’t speak, except for a few seconds before the end of the film, when he only says 24 words. Jerry had the advice of another great master of comedy, actor Stan Laurel from the duo Laurel and Hardy. He gave suggestions and tips on the pantomime. The film ended up grossing 10 million dollars in the US alone.

The Family Jewels (1965): Jerry plays several characters throughout the film: the driver and the uncles of little Donna (Donna Butterworth). She is an orphan who has to decide which uncle she will stay with after her father’s death. With an estimated fortune of 30 million dollars, she will have to spend time with each of her uncles, and only then choose who she will stay with.

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